
THE DOOR OF THE UNREAL (1919) by Gerald Biss
SOURCE: The Door of the Unreal (1919) by Gerald Biss
DESCRIPTION: "And
then . . . yes, I had been right in my bizarre theory, no fantasy, after all, of
an ill-balanced mind . . . out of this black fissure issued a great grey male
wolf with the low swinging stride of his species, clearly visible in the
brightness of the moonlight. I dropped on one knee and covered the ill-omened
brute with my rifle. And then . . . I felt a constriction in my throat, and the
veins on my temples knotted, as instinctively I wondered how poor old Burgess
must be feeling . . . after the great grey male followed a smaller grey female
wolf: and I knew that our worst fears were realities, and that the last crowning
touch of hell's spite had been put to this piece of devil's work."
PLOT:
The Door of the Unreal is a lengthy mystery
that hovers around the people who are investigating deaths at Brichton Road.
About midway the book reveals that the mysterious deaths are the work of
werewolves, a Professor Lycurgus Wolff. The professor has a young ward named
Dorothy who he is trying to seduce into the werewolf fold. The brave
investigators kill Wolff and his housekeeper Anna (another werewolf) and rescue
the girl Dorothy.
WEREWOLF FACTS:
Biss's werewolves are wolves, not wolfmen, perhaps some of the last before
Hollywood changed them forever. Very little of the transformation is shown but
we do see how the werewolves appear while in human form. They give off a bestial
presence despite being human. The transformation of Dorothy (which is only
successful at the end and reversible) is complicated, taking many weeks, strange
herbs like Wolfsbane and rites.
INTERESTING FACTS:
The Door of the Unreal was inspired by
Dracula. It features the same plot structure, a group of brave men trying to
save a beautiful woman from the clutches of evil monsters. H. P. Lovecraft wrote
of it in his essay 'The Superntural Horror in Literature' : "Dracula
evoked many similar novels of supernatural horror, among which the best are
perhaps The Beetle, by Richard Marsh, Brood of the
Witch-Queen, by "Sax Rohmer" (Arthur Sarsfield Ward), and The Door
of the Unreal, by Gerald Bliss. The latter handles quite dexterously the
standard werewolf superstition." (Lovecraft gets the name wrong, Biss not
Bliss.)
![]()